Sarah Palin Disney trailer

Trailer of Disney movie featuring Sarah Palin the soccer mum who becomes President of the USA.

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Late at night, in a car parked a deserted carpark lighted dimly by streetlights, with the rain pouring and this song playing -



And all of a sudden I wished it was LSB sitting beside me.

But it was still very fun lar, and got quite high haha.

Irish Airman and Rubaiyat and some thoughts on music

Irish Airman (Yeats_ has been a long-time favourite of mine, and LSB just introduced me to the Rubaiyat. I suppose if I pick out the stanzas in Rubaiyat, and stick them together with Irish Airman, they'd together articulate my interpretation of (and extrapolation from) both poems.

The similarities:

Irish Airman:

I know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate
Those that I guard I do not love;
My country is Kiltartan's Cross
My countrymen Kiltartan's poor;
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public men, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought to mind,
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.


Rubaiyat:

VII.

Come, fill the Cup, and in the Fire of Spring
The Winter Garment of Repentance fling:
The Bird of Time has but a little way
To fly--and Lo! the Bird is on the Wing.

X.

With me along some Strip of Herbage strown
That just divides the desert from the sown,
Where name of Slave and Sultan scarce is known,
And pity Sultan Mahmud on his Throne.

XI.

Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse--and Thou
Beside me singing in the Wilderness--
And Wilderness is Paradise enow.

XXVIII.

With them the Seed of Wisdom did I sow,
And with my own hand labour'd it to grow:
And this was all the Harvest that I reap'd--
"I came like Water, and like Wind I go."

XXIX.

Into this Universe, and why not knowing,
Nor whence, like Water willy-nilly flowing:
And out of it, as Wind along the Waste,
I know not whither, willy-nilly blowing.

XXXVIII.

One Moment in Annihilation's Waste,
One moment, of the Well of Life to taste--
The Stars are setting, and the Caravan
Starts for the dawn of Nothing--Oh, make haste!

XXXIX.

How long, how long, in infinite Pursuit
Of This and That endeavour and dispute?
Better be merry with the fruitful Grape
Than sadden after none, or bitter, Fruit.

XLV.

But leave the Wise to wrangle, and with me
The Quarrel of the Universe let be:
And, in some corner of the Hubbub coucht,
Make Game of that which makes as much of Thee.

LII.

And that inverted Bowl we call The Sky,
Whereunder crawling coop't we live and die,
Lift not thy hands to IT for help--for It
Rolls impotently on as Thou or I.

And these stanzas, just for the heck of it:

L.

The Ball no Question makes of Ayes and Noes,
But Right or Left as strikes the Player goes;
And He that toss'd Thee down into the Field,
He knows about it all--HE knows--HE knows!

LI.

The Moving Finger writes; and, having writ,
Moves on: nor all thy Piety nor Wit
Shall lure it back to cancel half a Line,
Nor all thy Tears wash out a Word of it.

LVII.

Oh Thou who didst with Pitfall and with Gin
Beset the Road I was to wander in,
Thou wilt not with Predestination round
Enmesh me, and impute my Fall to Sin?

LVIII.

Oh Thou, who Man of baser Earth didst make,
And who with Eden didst devise the Snake;
For all the Sin wherewith the Face of Man
Is blacken'd, Man's Forgiveness give--and take!

LXIII.

None answer'd this; but after Silence spake
A Vessel of a more ungainly Make:
"They sneer at me for leaning all awry;
What? did the Hand then of the Potter shake?"

The sentiment expressed in Irish Airman is so dear to my heart that the wanton use of the lines sans understanding of the sentiment feels to me very much like a prostitution of Yeats' poem *ahem looking at you*.

Anyway, I think that sometimes I love poems not for their content, but for the way they sound to my ears. As such, my appreciation of poetry is more like my appreciation for classical music & jazz than my appreciation of most contemporary pop. I look for balance and structure and symmetry and reflection and placement of words, and ideas are mostly secondary. Irish airman is probably one of the most symmetrical poems I know.

Hmmm I've always associated poetry with music.

If say I listened to the melody of most contemporary pop first without being exposed to it through participation in it (e.g. in ktv, where I learned most of my Mando-pop), I'd probably wince at the crudeness of the structure and the very very maudlin melodies. But that same crudeness makes it easy to listen to when I'm just not feeling up to it. And of course they're easy to sing, and I think the ability to participate in music-making is one of the most significant factors in our appreciation of music because the participation gives us an outlet for creative energies and allows us an active (if somewhat unconscious) exploration of the structure and nuances of the music. Which is why I also think that it is very very difficult for someone to fully understand and appreciate music if he doesn't actually play an instrument or sing.

Maybe I'm just a snob.

That said, some classical melodies are horribly icky as well. Yes, Sadie's Gymnopedies. *shudder*

Ok, enough of this stream of consciousness thing.